ABOUT THE KITS HERE We often gets questions like how to build a GM70 or 2A3 amplifier, or what is the best sounding 300B. Well, most of the sonic results depends using the right tubes, the right way, and not save on transformer quality. . The thing is, most users do not know where to start. So they search the internet for information, and usually ends up in the forums, getting stuck in confusing discussions by people who pretend to know a lot about GM70 tubes, or 845 tubes, and in real life never seen one. What you want to know is probably this:
We started this page just new, and the intention is to offer some circuits here that are tested, and guaranteed to work and build without problems, and we offer you free technical support when building them. If you are interested in building those kits we have two "goodies" to offer:
|
|||||
|
Schematics by Dipl. Ing. Leven
These design aim for practically lowest noise, and lowest distortion, yet not overstressing the tubes. These are found on 4tubes.com -> Go totube schematics with Lundahl Transformers and then choose: LEVEN. |
||||
AD1, NF2 Amplifier. K. Anzai, JAPAN. Also used by Hiraga. The original schematic of this amplifier I received with French text, long ago. The book it was copied from looks to me from the 1980's but there is no reference. I am not able to find much about Mr. K. Anzai, Japan, other than that he is a circuit designer from Japan. If someone can find some more, please let me know, so I can place it here. Some people report this schematic was also rebuild by Jean Hiraga. Also the schematic shows great resemblance with the Yamamoto AD1 amplifier, first generation. The resemblance is very large, probably there are some connections. Interesting, Lundahl has the right transformers in the program, we re-build the AD1 at Emission Labs, and I have a small stock of NOS Telefunken NF2, some in sealed boxes even. NF2 has a top cap, but this is for the grid1. So there is no DC voltage on the top cap. It is advised you use an coaxial cable to connect to the grid 1, and ground the cable shielding. Yamamoto has very nice Teflon plate caps. The NF2 is a glass tube, but it has conductive (bronze) painting from the outside. It has the same socket as AD1, and is from the same period. So all on all this is a very nice combination. I have not tested the schematic, but is a tested design by others. This should would work problem free, and is easy to build. The Filament voltage of the AD1 must be adjusted to 4V. Note, the EML AD1 draws a more filament current than Telefunken, and some other kind of tubes exist too, which can be used instead of AD1. So use the variable resistors in the filament circuit to get exactly 4V regardless what tube you put in. The transformer has enough AC voltage to use stabilizer ICs, or much better use filament chokes from Lundahl. Anyway, you can do that as you whish. Perhaps try it with AC heating first, as shown here with very little effort, only variable resistor is used. If not totally hum free, add DC heating. (This may be needed above 100dB speakers) The only change I made, is use the rectifier from the American 5AR4, to the European AZ4, to be all in-line with the European tubes from the 1940's. Specifications:
|
|||||
|
300B Classical Amplifier short description: This is a classical stereo 300B amplifier, without savings on a good concept. All transformers are the high quality Lundahl. This amplifier is working fully hum free, and has automatic bias. The only function of the meter is to check good operation of the tubes. Also the mains voltage can be controlled by the meter. Specifications:
|
||||
|
GM70 Dual monoblock amplifier. Parafeed and Sakuma principle. in preparation. The Japanese Designer SAKUMA, is famous for driving an 845 with an 845, to fully cancel harmonics. We do so here, driving a GM70 with a GM70. READY FOR PUBLISHING HERE: End of Dec 2011. The picture you see here, is by Philippe M. from Switzerland.
|
||||
in preparation |
Type "50" amplifier. Sakuma principle. | ||||