What's in a Watt?

Why do people build amplifiers with only 2.5 Watt per channel?

Have you ever made the experience that a larger amplifier sounded really nice at the higher loudness it was made for, only this loudness was too loud? Sure it sounds better at high loudness, but latest after 5 minutes, you turn it back to normal and then the sound gets "sterile". Do you recognize the situation? When yes, you are ready for a Low-Watt Triode amplifier. Those amplifiers deal with this phenomena, and for technicians it can be put into numbers as well. There are two things you need to give attention to:

  • Rule #1. A tube amplifier sounds best when the tubes have something to do, like at least 10% of maximum.
  • Rule #2. Only high efficiency speakers will give a tube amplifier it's required dynamics.

We'll do a simple calculation in two cases, and you will understand it quickly.

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=
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Avantgarde Uno
Yamamoto A06
   

 

Case 1. Amplifier 2x 50 Watt, Speakers 96 dB.

This is a common case. Now let's see what that is going to mean for a normal user. First we need to define the loudness you want to have. Any terms like "loud" or "very loud" are not so clear to express what that means. So we describe the loudness by comparing it to sounds you know, and then we talk about the same. Suppose we can describe the loudness like this "Loud TV, playing action movie", that is relatively clear what that means. If you ever been inside a discotheque, you will recognise the meaning of "idiot sound level" as well. So check this table to see some more examples of sound levels, and how many dB that is.

We take as an example 90dB loudness. That is the kind of loudness, where your neighbour in the appartment next door can hear when you're at home, listening to some music, but without being disturnbed by it. What does it require for the equipment to produce this loudness (we mean 90dB). For that you go into the table, where 90dB loudness crosses 96dB speaker efficiency. You will see in the box: 0.25Watt. This is all takes to produce this loudness. Remember this number, while reading the rest..

Now what happened with rule #1? (read above, in case you forgot ;) The amplifier is running at only 0.5% of it's maximum output power. It is much below the level where the amplifier starts to sound good, and it is now sounding sterile. So this user will not be happy with the amplifier, and eventually starts looking for "better sounding" tubes for his amplifier, and go the wrong way with that. In some extreme cases, the amplifier owner will even like some older (worn out) tubes better, and complain the worn out tubes sound better than the new ones. Well that is logical, because the new tubes will produce more output power. Before we come to the solution of this problem, we go to case Nr.2

Case 2. Amplifier 2x 50 Watt, Speakers 108 dB.

This is also nothing very unusual, but actually this combination is a concept mistake. Nevertheless, we see this often. Let's take the table again. Suppose this customer likes it louder, because he has very "loud" speakers. He likes a sound level that is described in the table as: "Loud music. Neighbor will complain". So that's 99dB sound pressure. With his 108dB speakers that requires 0,13 Watt only. Engineers call that 130 miliWatt. That is less energy as you need to make a small indicator lamp burn. As you see, the power relation between what the amplifier can do, and what it only needs to do, is quite extreme now. The volume control is close to zero, at which point it may have some non linearity between the channels. A natural reaction is, to set the pre-amp such that is will produce lower output signal. But... no matter how you do it, in the end you will be producing 0,130 Watt from a 50 Watt per channel amplifier, and this means the tubes need to do almost nothing. As a negative side effect, the amplifier noise and hum will probably get audible too.

The Solution.

  1. A hard one, but a working one, is a power soak. It means you give the amplifier something to do again, like let it produce 5 Watt. The output signal is connected to a resistor devider, with power resistors. From the devider you tap 5...10% of the signal. Like this the amplifier needs to generate more power then the speaker needs, and the amplifier is not running close to idle any more.
  2. There is a better solution is, as you already expected what we are getting at here: Use a lower power amplifier from the beginning. For speakers like the Avantgarde, of which many types have 106dB, amplifiers of 2x 2,5 Watt give more than enough power. Let's use the table again, but now in another way, and let's see how the table applies to Avantgarde 106dB loudspeakers. We have to take 105dB, because 106dB is not in the table. So on the left (the red numbers) you find the number 105dB. From there you go horizontal, until you find the box with "1" written in it. This means 1Watt. From there you go vertical, and you read 105dB loudness (the orange line). Read at the bottom what that means: "Extreme loud music. Neighbor calls police". Now that is at 1 Watt, and the amplifier will give this power freely without distortion. Still, it must do something for it. When you take an amplifier with Type 45 tubes, it gives 2x 2,5 Watt maximum. So this is a total of 5 Watt. What will the loudness be from 5 Watt? This loudness is found (in the table again),when you go further to the right in the box where it says "4Watt". Go up from there and you read 111 dB which means "Discotheque at normal idiot sound level" at 4 Watt. Actually we have 5 Watt, so it is even a little bit more.
  3. Also with 96dB speakers 2x 2,5Watt is more than enough. Now we won't explain the table any more, you have to use it yourself. When you do so, we come somewhere above 99dB (say 100dB), and that is described as: "Very Loud music. Neighbor will complain"
  4. We close with a non working example. Suppose you have normal efficiency speakers like 87db types. You want real loudness for instance like in the above example: 111dB as we produced so easily with the Avantgardes, with just a few Watt. So how many Watt does 111dB loudness that need? To find that out, you pick from the red numbers on the left, the number 87. From there you go horizontal and look at the numbers in the orange line. At 111dB you stop. Now you read from the box 256Watt. This means 2x128 Watt Stereo, and when you expect low distortion at 2x128 Watt you need to come up with a 2x200 Watt tube amplifier. So even the 2x50 Watt amp we did the calculations with, does not even come close to it.

I hope these explanations will take away some of the confusion. Please try to understand the above examples, and understand each of them. This is the only real way to understand yourself what you are doing. You don't need to get this wisdom from Forums, or by asking so experts. With the help of this table anyone can make a good decision himself.

If the table is giving you difficulties, try to understand this table first. It shows what 1 Watt will do. (1 Watt is a 2x =0,5 Watt Stereo)

Conclusion: It is easier to get high loudness by means of high efficiency speakers, than by means of big size amplifiers.

 

 

These are some of the smaller Klipsch Horns, efficiency around 100dB. These are no corner horns, like the famous "klipschhorn". A corner horn uses the walls of a room corner + floor as part of the horn system. See below.

2x 0.5 Watt amplifier output power will blow your ears of with this speaker.

This is THE reference Horn loudspeaker designed by Paul Wilbur Klipsch. It has 106dB with an all passive construction.

Inside the famous Klipschhorn are only speakers and passive filters. First build in the 1960's. It was the most revolutionary at it's time. Basically unchanged today and still for sale by the Klipsch company.

About PWK

Paul Wilbur Klips is one of the true legends of early HiFi industry, and a most interesting person. He has a whole list of patents on his name, starting with ballistics. Then later he choose for more piecefull things and he had several patents on how to find minerals in the ground, by the use of specially designed (tube) equipment that investigates the way the soil responds to it. He had some signal filtering electronics for that, which still today makes you wonder how nice he did that. After the mining busines, he started up a loudspeaker company, and flew his own company airplane. He got 98 years old, and never gave up his principles, that first you must have the ultimate solution for a technical problem, and only after that you should produce it.

 


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